The Art of Dying
There will be live performances of nationally recognised productions - Homeward Bound and Bounce Back Boy by Brian Daniels and should you wish to read some information regarding this - please visit http://www.ncpc.org.uk/drama-events. A market place will run alongside the exhibition which will hold various workshops to get people interacting which will include the following ¦ create memory boxes ¦ walk and talk ¦ artist audience ¦ hand massage ¦ interactive blackboard to record people’s one wish to fulfil before they die ¦ Dying Matters DVD film showings. We will be engaging on a Greater Manchester and Eastern Cheshire footprint to support localities to produce the art needed for the exhibition. The pieces will come from engagement with local communities such as hospices, schools, colleges, care homes, community groups, hospitals, other partners. To Take part in voting for submitted art work visit http://www.artofdying.co.uk/art-list-with-narrative/ between the 1st and 21st April 2017. To book on to activities at the Whitworth Art Gallery on the 11th May, and to find out what each entails – click here. Should this link not work – please visit (overview) https://www.eventbrite.co.uk/e/the-art-of-dying-art-exhibition-and-celeb... All activities as mentioned on the programme below – book on today to secure your place https://www.eventbrite.co.uk/e/the-art-of-dying-art-exhibition-and-celeb... Don’t forget to join in the twitter conversation #aod17. There will also be the opportunity to find out about the benefits of complementary therapies and sign up for taster sessions (hand and feet massages). These will last approximately 10–15mins each (booked on a first come first served basis on the day). The Whitworth are currently exhibiting Grey Granular Fist, an audio piece from the series Afterlife by artist French and Mottershead in Gallery 3 – an immersive digital artworks that transports the listener via intimate stories to the body’s decomposition after death. To be experienced throughout the day in listening chairs; imagine the body as an object – visceral and invasive – as it dries out in the gallery’s carefully controlled environment.